Lungotevere (the road along the Tiber river) Scalo De Pinedo (fluvia le port De Pinedo) “Passetto”, the secret passage between St. Theatre of Marcellus – Teatro di Marcello (known also as Little Colosseum) Garibaldi street in front of the Garibaldi museum ROME (and narrow roads of VATICAN) ( Details including SPOILERS)ġ9 February 2015: “SPECTRE” funeral scene photos in Rome, ItalyĢ0 February 2015: “SPECTRE” car chase photos in Rome, ItalyĢ1 February 2015: Daniel Craig filming car scenes of “SPECTRE” near Colosseum, Rome, ItalyĢ2 February 2015: More “SPECTRE” filming pics from Rome, ItalyĢ3 February 2015: “SPECTRE” night filming photos from Rome, ItalyĢ5 February 2015: “SPECTRE” car pics from Rome, ItalyĤ March 2015: “SPECTRE” photos: Rome’s River Tiber Millennium Bridge, Southbank 28 June 2015 The area of Vauxhall bridge, River Thames and Westminster Bridge 21-22 June 2015
Westminster Bridge Road and River Thames 6-7 June 2015 The streets around Trafalgar Square, The Mall and Whitehall (Bacher Kapelle zur Schwarzen Madonna” / Bacher Chapel of the Black Madonna) Road up at the Glacier, road tunnel at the GlacierĪ special wooden hut is built for filming purposes For DIGITAL DOWNLOAD of the new album go here.Road up at the Glacier, road tunnel at the Glacier You may also purchase the SPECTRE PARTY BOOK separately here. The magnificent and serious, yet formally playful, fresh and provocative album SPECTRE steps out of its own shadow and brings an array of new songs and ideas with which Laibach demonstrates that it masterfully manages its position and has now returned in grand style to the international scene. The extended version of the album has four additional bonus tracks, including Love On The Beat, Laibach’s adaptation of the famous Gainsbourg song of his late period, and an adaptation of an old blues standard from Blind Lemon Jefferson See That My Grave Is Kept Clean, which Laibach originally recorded it for the theatre production Die Macht der Finsternis (The Power of Darkness) by Leo Tolstoy. Consequently, the album ends with the (in)complete, open, unfinished sound of a piano key…
SPECTRE FILM BOYCOTT SNOWDEN SERIES
Koran – which literally means ‘recitation’ (also another key Laibachian trait) –, of course, to some extent also refers to the series of uprisings, revolutions and wars in the Arab world that have been taking place in the past few years and which refuse to sink.
In amongst these rallying calls from the band, sits a rare Laibach love song: We Are Millions And Millions Are One deals with love in today’s impossible times, times which are dangerously close to the fictional reality of classic anti-utopian novels such as Yevgeny Zamyatin’s We (Мы), Laibach’s inspiration for this song.Įnding the album is the elegant utopian song Koran, a track that shows the possibility of a better and fairer world – on Earth or in the hereafter. And, in one of the verses of this song, listeners can find a mini-‘manifesto’ about the album itself, its sonic expression, and the position of the group in relation to its own history. No History, knows no mercy, and leaves no doubt: Laibach require uncompromising action, they demand bravery and boldness and seek heroes “who will be the creed of a new political faith”. This rousing whistle along track – “From North and South / We come from East and West / Breathing as one / Living in fame / Or dying in flame” alludes to the heroism of the new, ‘digital’ Prometheans of freedom – Chelsea Manning, Edward Snowden, Julian Assange. The album opens with The Whistleblowers, a contagiously optimistic piece of classic “militant & symphonic” Laibach, sounding like the sequel to Lieutenant F. With this album Laibach has created a big, important, and dangerous step forward SPECTRE literally sounds like a political manifesto in poetic form. And yet, despite everything, SPECTRE resonates as a real and full-blooded Laibachian work and nothing else. And, as is now customary, the band calls into question all the rigid and cemented interpretations (and prejudices) about itself, about its music, intentions, philosophy and ideology. SPECTRE is Laibach’s first studio album since 2006’s widely acclaimed conceptual album VOLK – and the releases of the side projects LAIBACHKUNSTDERFUGE (2008) and IRON SKY: The Original Film Soundtrack (2012).With SPECTRE Laibach has once again ‘re-invented’ itself in a newly born, yet polished and solid, formation.
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